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Tuesday Smillie
REFLECTING LIGHT INTO THE UNSHADOW
Jul 1–Aug 5, 2018

Tuesday Smillie, *Reflecting Light*, 2018. Textile, oil paint, sequins, embroidery floss. *Sometimes*, 2016. Textile

Tuesday Smillie, Reflecting Light, 2018. Textile, oil paint, sequins, embroidery floss. Sometimes, 2016. Textile

PARTICIPANT INC presents Tuesday Smillie, Reflecting Light into The Unshadow. The exhibition includes a selection of banners, textile collages, as well as recent prints and works on paper that posit imagination as radical practice. This series takes Ursula Le Guin’s 1969 breakout science fiction novel, The Left Hand of Darkness as a starting point, charting the subsequent evolution in Le Guin’s thinking. In a series of meticulously rendered watercolors, Smillie depicts the covers of the myriad editions of Le Guin’s book. One set of prints considers the author’s own annotated versions of the text. In another Smillie extrapolates on Le Guin’s strategies for potential use, tracing failure as inevitable and even necessary in reimagining social and societal structures. Alongside these, large-scale sewn and painted textile works such as Sometimes deploy the form of protest banners, emphasizing learning rather than teaching. As Johanna Fateman has noted of previous textile works in Artforum, “Tuesday Smillie’s ornate, meticulously sewn and painted trans-liberation banners could not get their radical point across more lovingly.”

 

Sunday, Jul 1, 7-9pm
Opening Reception
 
Sunday, Jul 29, 7-9pm
Night Viewing and Artist Talk with Tuesday Smillie

Tuesday Smillie, *Reflecting Light into The Unshadow*. Installation view

Tuesday Smillie, Reflecting Light into The Unshadow. Installation view

Tuesday Smillie, *Where our foot will land*, 2016. Series of 4 prints on paper, plexiglass plate, lead type

Tuesday Smillie, Where our foot will land, 2016. Series of 4 prints on paper, plexiglass plate, lead type

Tuesday Smillie, *Slow and Arduous*, 2017. *As Our Failures Become Clear*, 2017. *How That World Could Be*, 2016. All: Print on paper, plexiglass plate, lead type, spray paint

Tuesday Smillie, Slow and Arduous, 2017. As Our Failures Become Clear, 2017. How That World Could Be, 2016. All: Print on paper, plexiglass plate, lead type, spray paint

Tuesday Smillie, *Reflecting Light into The Unshadow*. Installation view

Tuesday Smillie, Reflecting Light into The Unshadow. Installation view

Tuesday Smillie, *A Slow and Arduous Progression*, 2016. Print on paper, polymer plate, watercolor

Tuesday Smillie, A Slow and Arduous Progression, 2016. Print on paper, polymer plate, watercolor

Tuesday Smillie, *Rigid Binary 2*. 2018. Textiles, oil paint, plastic

Tuesday Smillie, Rigid Binary 2. 2018. Textiles, oil paint, plastic

Tuesday Smillie, *Rigid Binary 2*. 2018. Textiles, oil paint, plastic. Detail view

Tuesday Smillie, Rigid Binary 2. 2018. Textiles, oil paint, plastic. Detail view

Tuesday Smillie, *Sometimes*, 2016. Textile. *Untitled (page 261)*. Laser print on paper

Tuesday Smillie, Sometimes, 2016. Textile. Untitled (page 261). Laser print on paper

Tuesday Smillie, *Untitled (page 261)*. Laser print on paper

Tuesday Smillie, Untitled (page 261). Laser print on paper

Tuesday Smillie, *Reflecting Light into The Unshadow*. Installation view

Tuesday Smillie, Reflecting Light into The Unshadow. Installation view

Tuesday Smillie, *Rigid Binary 1*, 2018. Textiles, acrylic paint, sequins

Tuesday Smillie, Rigid Binary 1, 2018. Textiles, acrylic paint, sequins

Tuesday Smillie, *Reflecting Light into The Unshadow*. Installation view

Tuesday Smillie, Reflecting Light into The Unshadow. Installation view

Tuesday Smillie, *Winterplanet, 1974*, 2016. *The Left Hand of Darkness, 1975*, 2015. *Leva Ruka Tame, 1978*, 2018. Watercolor, gouache on paper

Tuesday Smillie, Winterplanet, 1974, 2016. The Left Hand of Darkness, 1975, 2015. Leva Ruka Tame, 1978, 2018. Watercolor, gouache on paper

Tuesday Smillie, *Reflecting Light into The Unshadow*. Installation view

Tuesday Smillie, Reflecting Light into The Unshadow. Installation view

Tuesday Smillie, *Over night the weather thickened somewhat*, 2014. Collage, watercolor, ink on paper

Tuesday Smillie, Over night the weather thickened somewhat, 2014. Collage, watercolor, ink on paper

Tuesday Smillie, *Reflecting Light into The Unshadow*. Installation view

Tuesday Smillie, Reflecting Light into The Unshadow. Installation view

More from Season 16

Damien Echols and Jen DeNike, *777*. Installation view
Jen DeNike and Damien Echols
777
Sep 10–Oct 15, 2017
Narcissister, *Forever Young*, video production still
Narcissister
THE BODY IS A HOUSE
Nov 3–5, 2017
G.B. Jones, *Black Gum*, 2011. Graphite on paper
G.B. Jones and Paul P.
BORN YESTERDAY
Nov 12–Dec 17, 2017
keyon gaskin
keyon gaskin
[A SWATCH OF LAVENDER]
Jan 11–14, 2018
Jayne County, *Untitled*, 2017. Acrylic and glitter on canvas
Jayne County
PARANOIA PARADISE
Feb 4–Mar 11, 2018
Narcissister
STUDIES FOR PARTICIPATORY SCULPTURES
Apr 20–May 6, 2018
Lyle Ashton Harris, *Untitled (DAD)*, 2018. Mixed media collage. Detail view
Lyle Ashton Harris
AKA DADDY
May 20–Jun 24, 2018
Tuesday Smillie, *Reflecting Light*, 2018. Textile, oil paint, sequins, embroidery floss. *Sometimes*, 2016. Textile
Tuesday Smillie
REFLECTING LIGHT INTO THE UNSHADOW
Jul 1–Aug 5, 2018

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