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DEAD FLOWERS NYC
May 9–Jun 20, 2010

Genesis Breyer P-Orridge, *Tongue Kiss*, 2003. Mixed media

Paul Thek, *Untitled #75*, 1964. Wax, Plexiglas, metal. *Meat Cable*, 1968-1969. Courtesy of The Watermill Center Collection

Genesis Breyer P-Orridge, Tongue Kiss, 2003. Mixed media

Paul Thek, Untitled #75, 1964. Wax, Plexiglas, metal. Meat Cable, 1968-1969. Courtesy of The Watermill Center Collection

Artists: Charles Atlas, Alvin Baltrop, Timothy Carey, Johanna Constantine, Genesis Breyer P-Orridge, Marti Domination, Scott Ewalt, Georg Gatsas, Brandon Olson,  Kembra Pfahler, Cynthia Plaster Caster, Tabboo! (Stephen Tashjian), Paul Thek

 

PARTICIPANT INC is pleased to present Dead Flowers, a group exhibition based on the work of actor/director Timothy Carey, curated by Lia Gangitano for Vox Populi, an artist collective in Philadelphia, where it was previously on view (March 5 – May 2, 2010). Carey became known as a pioneer of underground film due to his rarely seen 1962 film, The World's Greatest Sinner. Screenings of this and other unreleased films by Carey, as well as a presentation of his ephemera and artifacts, are organized in cooperation with Romeo Carey, the artist's son and Executor of the Timothy Carey Estate. The exhibition draws themes from Carey’s unique correlation between his life and work, which sought to define what it means to be an artist through an uncompromising understanding of the meaning of success.

Performances:

Monday May 10, 7pm
Cynthia Plaster Caster, Talking Dick and Tit, a monologue

Sunday June 20, 8pm
Johanna Constantine, Veil April 24 2010 Breyer P-Orridge, PANDROGENY RANT Marti Domination & Beaut, Take My Hand

Screenings curated by Ed Halter:

Sunday May 23, 7:30pm, Andrew Meyer, Edward Owens, Steven Arnold

Sunday June 6, 7:30pm, Werner Schroeter, Luther Price

Sunday June 13, 7:30pm, Suzie Silver, GB Jones, Tom Rubnitz, Vaginal Davis

 

Supported by the Philadelphia Exhibitions Initiative, this project is a collaboration of PARTICIPANT INC and Vox Populi, an artist-run nonprofit in Philadelphia.

Marti Domination, *Max*, 2009. *Eva*, 2009. *Eyelashes*, 2010. *Stewart*, 2008.* **The Skeleton Boy*, 2008. *Jessika T*, 2008. *Cynthia*, 2010.

All C-print in vintage glass frame, *Eyelashes* and *Cynthia*: Giclee print in handmade Plexiglas frame.

Marti Domination, Max, 2009. Eva, 2009. Eyelashes, 2010. Stewart, 2008.* *The Skeleton Boy, 2008. Jessika T, 2008. Cynthia, 2010.

All C-print in vintage glass frame, Eyelashes and Cynthia: Giclee print in handmade Plexiglas frame.

Scott Ewalt, *Catgirl 1962*, 2010, Archival print

Scott Ewalt, Catgirl 1962, 2010, Archival print

Cynthia Plaster Caster, *Plaster Caster Suitcase*, 1968. Black metal suitcase    
  
*\#00053, Mike Diana*, 03/04/95, *\#00004, Jimi Hendrix*, 02/25/68, *\#00020, Harvey Mandel*, 07/10/69, *\#00047, Jello Biafra*, 04/29/91, *\#00005, Noel Redding*, 03/30/68,* **\#00011, Wayne Kramer*, 02/26/69  


Works on wall: *Mark Lindsay Love Portrait*, 1966, Ink on paper, *David Yow’s Plaster Casted Dick*, 2002, Bic pen on paper, *George Harrison Love Portrait*, 1965 or ’66, Ink on paper

Breast casts, *\#00019, Sally Timms*, 7/22/01, *\#00011, Peaches*, 5/9/01, *\#00020, Sally Timms*, 7/22/01, *\#00012, Peaches*, 5/9/01, Plaster

Cynthia Plaster Caster, Plaster Caster Suitcase, 1968. Black metal suitcase  

#00053, Mike Diana, 03/04/95, #00004, Jimi Hendrix, 02/25/68, #00020, Harvey Mandel, 07/10/69, #00047, Jello Biafra, 04/29/91, #00005, Noel Redding, 03/30/68,* *#00011, Wayne Kramer, 02/26/69

Works on wall: Mark Lindsay Love Portrait, 1966, Ink on paper, David Yow’s Plaster Casted Dick, 2002, Bic pen on paper, George Harrison Love Portrait, 1965 or ’66, Ink on paper

Breast casts, #00019, Sally Timms, 7/22/01, #00011, Peaches, 5/9/01, #00020, Sally Timms, 7/22/01, #00012, Peaches, 5/9/01, Plaster

*Dead Flowers,* Installation View. George Gatsas, *Signal the Future*, 2010, Table collage, 2 tables with paper objects. Alvin Baltrop, *Untitled (from the series “Pier Photographs”)*, 1975-1986, 13 silver-gelatin prints, various dimensions. Courtesy The Alvin Baltrop Trust

Dead Flowers, Installation View. George Gatsas, Signal the Future, 2010, Table collage, 2 tables with paper objects. Alvin Baltrop, Untitled (from the series “Pier Photographs”), 1975-1986, 13 silver-gelatin prints, various dimensions. Courtesy The Alvin Baltrop Trust

Kembra Pfahler, *Man-o-war*, 2010. Pool table, papier mache, paint

Kembra Pfahler, Man-o-war, 2010. Pool table, papier mache, paint

Johanna Constantine, *Void,* Performance, 2010. 

Johanna Constantine, Void, Performance, 2010. 

Genesis Breyer P-Orridge, Performance at *Dead Flowers NYC*, 2010.

Genesis Breyer P-Orridge, Performance at Dead Flowers NYC, 2010.

Tabboo! (Stephen Tashjian) and Brandon Olson, Performance at *Dead Flowers NYC*, 2010

Tabboo! (Stephen Tashjian) and Brandon Olson, Performance at Dead Flowers NYC, 2010

Beaut performing *Take my Hand, *2010*.*

Beaut performing Take my Hand, 2010.

More from Season 8

My Barbarian, *The Night Epi$ode Three: Who's for Dinner / Watery Grave, *2009. Single-channel video, 10:00 min.
My Barbarian
THE NIGHT EPI$ODE
Sept 13–Oct 18, 2009
Ottonella Mocellin and Nicola Pellegrini, *With the occasional rainbow visiting*, 2008.
Ottonella Mocellin / Nicola Pellegrini
AN INCONGRUOUS BEAM OF BEAUTY OVER THE GAZA STRIP
Oct 21–25, 2009
Stuart Sherman
STUART SHERMAN: NOTHING UP MY SLEEVE
Nov 8–Dec 20, 2009
Robin Graubard, *I live in my head*. Lambda print
Robin Graubard
THE HOLD UP
Jan 10–Feb 14, 2010
Alejandro Vidal, *When it rains, all shines black*, 2009. 8 c-prints, 125 x 185 cm each
Alejandro Vidal
WHEN IT RAINS, ALL SHINES BLACK
Feb 28–Apr 11, 2010
Johanna Constantine, *Void*, Performance at *Vox Populi*, April 25, 2010.
DEAD FLOWERS PHILADELPHIA
Mar 5–May 2, 2010
*That's When the Rabbit Taught the Eagle a Lesson With a Smith & Wesson*, Cover
THAT'S WHEN THE RABBIT TAUGHT THE EAGLE A LESSON WITH A SMITH & WESSON
Apr 18–May 2, 2010
Beaut performing *Take my Hand, *2010*.*
DEAD FLOWERS NYC
May 9–Jun 20, 2010
*Keeping Busy: An Inaccurate Survey of Michel Auder*, Installation View
KEEPING BUSY: AN INACCURATE SURVEY OF MICHEL AUDER
Jun 27–Aug 15, 2010

© PARTICIPANT INC 2025