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Marja Samsom
MISS TAKEN IDENTITIES
Fri, July 30, 5pm EST on participantafterdark.art

Marja Samsom, *Shaving Legs*, 1974, Super 8 Film

Marja Samsom, Shaving Legs, 1974, Super 8 Film

 
Marja Samsom, Miss Taken Identities 
on participantafterdark.art 
Fri, July 30 at 5pm EST
  

Join us on https://participantafterdark.art for a live-stream performance in anticipation of Marja Samsom’s second publication, Miss Taken Identities. Miss Taken Identities features new vignette performances that highlight techniques and interests that Samsom revisits throughout her career, and as chronicled in her forthcoming book. A companion to Samsom’s Diary of a Forgotten Actress, 1972-1979, a publication curated by Inez & Vinoodh in 2015, we celebrate the next chapter with a performance activating a scripted environment including props, sets, and films. Samsom began casting herself as Miss Behave and Miss Kerr in her performance-based photographs and films in the early ‘70s, producing Super 8 films inspired by illusionist and filmmaker George Melies. Pin-up, housewife, diva – a repertoire of self-objectification provided directorial authority. The ‘Forgotten Actress’ deployed Polaroids/snapshots served as evidence of a living artform – a life performance, inspired by the art and friendship of Bas Jan Ader.    

Marja Samsom lives and works in New York City. In the ‘70s, Samsom exhibited her work in various venues in Los Angeles, New York, Amsterdam and elsewhere in Europe. In 1976, she performed the piece Miss Kerr in Amsterdam at de Appel Arts Centre. In 1980, she traveled to New York for Dutch Treat, an exchange that Wies Smals set up with Martha Wilson from Franklin Furnace. Samsom designed the poster, and performed at Franklin Furnace. She decided to stay in New York, and subsequently opened The Kitchen Club and Chibi’s Bar from 1990-2010. In the fall of 2011, she started her residency at The Clocktower, culminating in the storytelling performance/ installation Shrine. In 2016, Samsom celebrated her artist’s book, Diary of a Forgotten Actress 1972-1979, curated by Inez & Vinoodh with Miss Behave a set of performances activating a scripted environment including props, set, photographs, and films at Participant Inc. Recent solo projected presented online and in New York LMAK Gallery, La Galleria at La Mama, and Club Berlin. 

Live Performance and videos by:
Marja Samsom

Livestream/Video Director:
Glen Fogel

Production Manager:
Lia Gangitano, Jordan Strafer

Camera Operators:
Isaiah Davis, John Brattin

Audio & Video Engineer:
Sean Leo, Collin Leitch

Production Assistants:
Jennie West, Hjordis Linn Blanford, Tony Powe, Caroline Mills, and Alexander Fleming

Special thanks to Scott Gibson and The Dorothy Strelsin Memorial Community Garden.

Marja Samsom, *Sardine Strip*, 1976, performance at De Appel

Marja Samsom, Sardine Strip, 1976, performance at De Appel

Marja Samsom, artist commission, *Centraal Museum Utrecht, *1978, annual catalogue* *

Marja Samsom, artist commission, Centraal Museum Utrecht, 1978, annual catalogue 

Marja Samsom,* Mandeville Canyon Overload, *1974, hand tinted black and white photograph

Marja Samsom, Mandeville Canyon Overload, 1974, hand tinted black and white photograph

Marja Samsom, Blue Bird

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[A close-cropped widescreen digital video image of the neck and shoulders of person seen from behind, slightly blurring and repeating against a black background.]
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July 17, 11:59 pm–July 18, 11:59 pm EST
Marja Samsom,* Miss Taken Identities*, 2021, page from artist's book 
Marja Samsom
MISS TAKEN IDENTITIES
Fri, July 30, 5pm EST on participantafterdark.art
Kembra Pfahler, *On the Record / Off the Record*, photo: Rosalie Knox
Kembra Pfahler
ON THE RECORD / OFF THE RECORD
Weds, Aug 4 at 7pm EST

© PARTICIPANT INC 2025