Marja Samsom, Shaving Legs, 1974, Super 8 Film
Marja Samsom, Miss Taken Identities
on participantafterdark.art
Fri, July 30 at 5pm EST
Join us on https://participantafterdark.art for a live-stream performance in anticipation of Marja Samsom’s second publication, Miss Taken Identities. Miss Taken Identities features new vignette performances that highlight techniques and interests that Samsom revisits throughout her career, and as chronicled in her forthcoming book. A companion to Samsom’s Diary of a Forgotten Actress, 1972-1979, a publication curated by Inez & Vinoodh in 2015, we celebrate the next chapter with a performance activating a scripted environment including props, sets, and films. Samsom began casting herself as Miss Behave and Miss Kerr in her performance-based photographs and films in the early ‘70s, producing Super 8 films inspired by illusionist and filmmaker George Melies. Pin-up, housewife, diva – a repertoire of self-objectification provided directorial authority. The ‘Forgotten Actress’ deployed Polaroids/snapshots served as evidence of a living artform – a life performance, inspired by the art and friendship of Bas Jan Ader.
Marja Samsom lives and works in New York City. In the ‘70s, Samsom exhibited her work in various venues in Los Angeles, New York, Amsterdam and elsewhere in Europe. In 1976, she performed the piece Miss Kerr in Amsterdam at de Appel Arts Centre. In 1980, she traveled to New York for Dutch Treat, an exchange that Wies Smals set up with Martha Wilson from Franklin Furnace. Samsom designed the poster, and performed at Franklin Furnace. She decided to stay in New York, and subsequently opened The Kitchen Club and Chibi’s Bar from 1990-2010. In the fall of 2011, she started her residency at The Clocktower, culminating in the storytelling performance/ installation Shrine. In 2016, Samsom celebrated her artist’s book, Diary of a Forgotten Actress 1972-1979, curated by Inez & Vinoodh with Miss Behave a set of performances activating a scripted environment including props, set, photographs, and films at Participant Inc. Recent solo projected presented online and in New York LMAK Gallery, La Galleria at La Mama, and Club Berlin.
Live Performance and videos by:
Marja Samsom
Livestream/Video Director:
Glen Fogel
Production Manager:
Lia Gangitano, Jordan Strafer
Camera Operators:
Isaiah Davis, John Brattin
Audio & Video Engineer:
Sean Leo, Collin Leitch
Production Assistants:
Jennie West, Hjordis Linn Blanford, Tony Powe, Caroline Mills, and Alexander Fleming
Special thanks to Scott Gibson and The Dorothy Strelsin Memorial Community Garden.
Marja Samsom, Sardine Strip, 1976, performance at De Appel
Marja Samsom, artist commission, Centraal Museum Utrecht, 1978, annual catalogue
Marja Samsom, Mandeville Canyon Overload, 1974, hand tinted black and white photograph
Marja Samsom, Blue Bird