Nash Glynn, Lover Earth (YOU USED ME), 2018. Video performance
Thursday, June 20, 7pm
Nash Glynn in conversation with Jack Halberstam
PARTICIPANT INC presents Nash Glynn, The Future is Fiction, the artist’s first New York solo exhibition. Comprised of paintings, drawings, videos, and photography, in each Glynn uses her body as a medium to interrogate categories such as nature, female, human. Through self-portraiture, Glynn places the transfeminine form in relation to rapidly changing ecologies, positing climate change not only as a problem of representation, but also as a threat to essentialist gender ideologies. As artist and writer Aliza Shvarts notes, Glynn deploys self-representation as “signifier at a geological scale in the contemporary context of climate change, ecological disaster, and mass extinctions of the Anthropocene. Through self-portraiture, digital manipulation, and extra-planetary imagination, Glynn poses the trans female body as a metaphor for the contradictions of nature and culture. Working through ideas of utopia and dystopia, industry and intimacy, seduction and ruin, she uses techniques such as photomontage to blend the artificial and the real. These cohesive environments ask the viewer to consider the fate of the body, the planet, and the representational capacities of the artist beyond the framework of humanism” (The Archive, Spring 2018, Issue 63).
Nash Glynn, The Future is Fiction. Installation view
Nash Glynn, The Future is Fiction. Installation view
Nash Glynn, The Future is Fiction. Installation view
Nash Glynn, Mars Terraformation - Phase I & II, 2019. Diptych, photomontage, light boxes
Nash Glynn, Mars Terraformation - Phase I, 2019. Diptych, photomontage, light boxes
Nash Glynn, Mars Terraformation - Phase II, 2019. Diptych, photomontage, light boxes
Nash Glynn, The Future is Fiction. Installation view
Nash Glynn, The Future is Fiction. Installation view
Nash Glynn, Standing (Self Portrait), 2018. Acrylic on canvas
Nash Glynn, a late winter waterfall, 2018. Graphite on paper
Nash Glynn, March in the Hudson Valley, 2018. Graphite on paper
Nash Glynn, The Future is Fiction. Installation view
Nash Glynn, Before & After (Self Portrait, Split Zombie), 2016. Diptych, digital photographs
Nash Glynn, Stealth 01, 2017. Triptych, digital photographs, performance (shot in Riverside Park, NYC)
Nash Glynn, The Future is Fiction. Installation view
Nash Glynn, Untitled, 2019. Acrylic on canvas
Nash Glynn, Automata, 2019. Photomontage
Nash Glynn, In the studio, 2019. Acrylic on canvas